Gopala Vimsati 4/21

4.AvirbhAvAtvANibhrUtAbharaNam. purastAt

Akuncitaika caraNam. nibrUtanyapAdam|

dadhnAnimantamukareNa nibaddhatAlam

nAthasya nandabhAvane navaneetanATyam ||

1.       AvirbhAvAt – appear, become apparent

2.       ANibhrUt – violently moved or shaken

3.       AbharaNam – ornaments, jewellery

4.       purastAt  - in front, or in presence or before the eyes of

5.       Akuncita – bent

6.       Eka – one

7.       caraNam – foot

8.       nibrUta – frim without movement

9.       anya – other

10.   pAdam – foot

11.   dadhi – curd

12.   nimantamukareNa – considered as churning

13.   nibaddha – considered as

14.   tAlam – rhythm, beat

15.   nAtha – dancer

16.   nandabhAvane – nandagopalans home

17.   navanItam butter

18.   nATyam – dancing

Vednatha Desika in this verse imagines Lord Krishna dancing with one leg bent and the other leg placed firmly on the ground. As he is dancing the movements of the ornaments, necklace, anklets worn by him on his holy feet are shaken producing enjoyable musical sound rhythmic to the churning of the butter by his mother Yashodha. Krishna dances to the tunes of his mother’s churning to get some more butter in his home of Nandagopala and Yashodha.